Masters Concerts

 

Master Concerts III


Jeffrey Chappell, Piano Program
Brahms: Piano Concerto No. 2 in B Flat
Shostakovich: Festive Overture
Zwilich: Symphony No. 5

Masters Of Their Universe

The SFSO concludes its Master Concerts with composers and a guest soloist who have all made an imprint on Classical Symphonic music, as we know it today, making them all Masters of their Universe.The South Florida Symphony performs the Florida Premier of Ellen Zwilich’s 5th Symphony. The live recording will be released through NAXOS on iTunes next summer.Jeffrey Chappell performs Brahms Piano Concerto No. 2, one of Classical Music’s most famous and beautiful works. Jeffrey made his mark with this piece when…. “On a few hours notice, he replaced an ailing Claudio Arrau and performed, without benefit of rehearsal, the mighty Brahms Second Concerto. Chappell came through with flying colors and won a standing ovation.” – BALTIMORE NEWS-AMERICAN

Mar. 8th – 8 pm Tennessee Williams Theatre
Key West
305-295-7676
Mar. 9th – 8 pm
Gusman Concert Hall
U of Miami
954-522-8445
Mar. 11 – 2 pm
Old School Square CAC Delray Beach
561-243-7922 ext.1
Mar. 12th – 8 pm
Broward Center
Fort Lauderdale
954-462-0222

Previous Concerts

 

Master Concerts II


Chee-Yun, Violin Program
Saint-Saëns: Introduction & Rondo Capriccioso
Saint-Saëns: Havanaise
Saratsate: Zigeunerweisen (Gypsy Airs)
Beethoven: Symphony No. 3 “Eroica”

Fire And Ice

The incomparable Chee-Yun returns by popular demand performing Saint-Saëns popular Introduction & Rondo capriccioso, with its contrasting lyrical sections and virtuosic fireworks and his Havanaise, based on the Habanera. While languid in mood, the piece sports bursts of virtuosity. Ms Yun finishes with the undeniably unforgettable Sarasate: Zigeunerweisen.The Symphony concludes the evening with Beethoven’s Eroica, one of the major milestones in the development of this trademark “Beethoven style” where we first see the breadth, depth, orchestration, and spirit that mark a breaking away from the pretty, melodically pleasing melodies of earlier periods.
“Chee-Yun has not only extraordinary talent, but the poise and natural self-confidence of a seasoned veteran and born performer. Her technique is brilliant and utterly secure, her tone like butter, smooth, rich and flawless.” – STRINGS MAGAZINE

Master Concerts I


Zuill Bailey, Cello Program
Vaughan Williams: Fantasia on a Theme by Thomas Tallis Haydn: Cello Concerto No. 1 in C Major
Mendelssohn: Symphony No. 4 Italian

Spice Of Life
 

The South Florida Symphony opens the 2011-12 Season with Vaughan Williams beautiful Fantasia on a Theme by Thomas Tallis. Scored for two unequal string orchestras and string quartet, the spread chords, majestic cadences and unearthly serenity make this piece an enduring favorite. Mendelssohn declared that all of Italy is featured in his 4th Symphony: its people, its landscapes and its art. The Final movement Presto, the most characteristically Italian as it takes on the style of a salterello, a lively Roman country-dance, dating from the sixteenth century. Zuill Bailey returns performing the Haydn C Major Cello Concerto, which exploits the instrument’s wide range and its capacity for lyrical expression and athletic passagework.
“The sound is rich, like dark chocolate… his voice is distinctive–strong and direct. Bailey reaches from the soul of his instrument to our own.” – WASHINGTON POST

Master Concerts I


Matthew Allen, Cello Program
Vaughan Williams: Fantasia on a Theme by Thomas Tallis Haydn: Cello Concerto No. 4 Mendelssohn: Symphony No. 4 Italian

Spice Of Life
 

The South Florida Symphony opens the 2011-12 Season with Vaughan Williams beautiful Fantasia on a Theme by Thomas Tallis. Scored for two unequal string orchestras and string quartet, the spread chords, majestic cadences and unearthly serenity make this piece an enduring favorite. Mendelssohn declared that all of Italy is featured in his 4th Symphony: its people, its landscapes and its art. The Final movement Presto, the most characteristically Italian as it takes on the style of a salterello, a lively Roman country-dance, dating from the sixteenth century.